The first group are at the eastern end separated from others. Cave 1 and Cave 2 have suffered from rigors2 of time and the weather. Cave 3, an afterthought after the Northern Wei Dynasty, is the largest grotto3 among Yungang caves.
Tours normally begin from the second group ranging from Cave 5 to Cave 13.Yungang art manifests its best in this group. Cave 5 contains a seated Buddha4 with a height of 17 meters. In Cave 6, a 15-meter-high two storey pagoda5 pillar stands in the center of chamber6 and the life of the Buddha from birth to the attainment7 of nirvana is carved in the pagoda walls and the sides of the cave. The Bodhisattva was engraved8 in Cave 7. The rare seen Shiva Statue in Yungang with eight arms and four heads and riding on a bull is illustrated9 in Cave 8. Cave 9 and Cave 10 are notable for front pillars and figures bearing musical instruments. Musicians playing instruments also appear in Cave 12. Cave 13 has the Buddha statue with a giant figurine supporting its right arm.
The rest caves belong to the third group. Cave 14 has eroded10 severely11. Cave 15 is named as the Cave of Ten Thousand Buddha. The caves numbered 16 to Cave 20 are the oldest complex and each one symbolizes12 an emperor from the Northern Wei Dynasty and the subject of Emperor is the Buddha is embodied13. The caves from No. 21 onward14 are built in the later times and can not compare to their better preserved counterparts.
Notes:
1. Yungang Caves 云冈石窟
